This was the only scene where we’re fighting each other as actors. “With all other fight scenes, it’s me against professional stunt people. The two had little rehearsal time, but both got immediately, and intensely, into character. In it, she fights Miyavi (actor and well-known Japanese rock and roll musician) in close quarters. Take, for example, a particularly violent kitchen fight scene, which Winstead considers one of the most challenging of the entire film. “She did 95 percent of the action,” Eusebio says. Winstead took her role as action hero seriously. “They were on set every day and wouldn’t let me get away with anything that wasn’t correct, right down to the way you breathe when you’re pulling the trigger,” she says. “This assassin has a discrete style,” Eusebio says, “so choreography meant making sure Winstead didn’t deviate from Kate’s style of “maximum efficiency.” Winstead also worked with trained snipers in the Thai military to perfect the gun work in Kate. In Winstead’s case, training involved a particular blend of Japanese jiu jitsu, aikido, and judo, mixed with some Southeast Asian martial arts. (Eusebio previously worked with Winstead on Birds of Prey, which gave them a shorthand for this demanding project.) “We ran her through the same gamut of martial arts training that we did for Keanu Reeves and Jason Statham,” Eusebio says. She spent nearly a month training in Los Angeles and Thailand with stunt coordinator Jonathan “Jojo” Eusebio before shooting began. Kate is Winstead’s third film in a row with heavy stunt work, following Gemini Man and Birds of Prey. She was so sure of who the character was. “Mary brought so much to the table as Kate. “I was so transported by what she was doing,” Nicolas-Troyan says. the World, Love, Death & Robots), he found the perfect fit. In actor Mary Elizabeth Winstead ( Scott Pilgrim vs. Nicolas-Troyan searched far and wide for his protagonist - an actor who could meet multiple demands, including capturing the emotional range of a complicated assassin and the ability to take on intense stunts and action sequences. ![]() What’s the right way to leave a mark? For Kate, it’s ultimately all about doing right by this young girl, Ani, as a way to try to right some of her lifetime of wrongs.” I saw Kate as someone on this path for revenge, but I wanted to see her learn that revenge really is not going to get her anything.” Producer Bryan Unkeless explains the appeal of Kate as “this very complicated story about legacy. ![]() What really attracted me was the relationship between Kate and Ani. For director Cedric Nicolas-Troyan ( The Huntsman: Winter’s War), it was everything, “I thought the script was incredible. ![]() What begins as a transactional relationship between an assassin out for revenge and a girl with useful information morphs into a deeper bond and a personal reckoning. Set against the backdrop of a neon-drenched Tokyo, Kate delivers both high-octane action and a moving story of redemption. When the daughter of one of her previous victims becomes the only way to find her killers, a slowly deteriorating Kate teams up with the teenage girl Ani (Miku Martineau). ![]() She’s ruthless and unstoppable as an assassin - at least until she’s fatally poisoned by an adversary and has less than a day left to live, and enact her revenge. Kate (Mary Elizabeth Winstead) hasn’t missed a shot in 12 years.
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